![]() And the front of the second balcony is a much better place to sit than the back of the first balcony. The back of the second balcony at the Lyric Opera also offers superb sound, even better than on the main floor, where the orchestra often swamps the voices. Orchestra Hall’s gallery has always been a good place to listen, and it’s even better now, benefiting from the addition of attic space above the hall and the subtraction of ventilating equipment that used to be right above the ceiling. ![]() The cheap seats in the gallery are usually acoustically superior because they lack the obstructions to sound provided by overhangs and because the sound has had time and space to roll around before arriving at the listener’s ear. Overall, your closet is probably more comfortable. In the back of an Orchestra Hall box you can see the performers only by perching on a sort of high chair. This remains true of the revamped Orchestra Hall, where sitting in the back of a box remains remarkably similar to sitting in a closet with the door open to a stereo playing in the next room. ![]() But in most theaters the box seats–usually the priciest, with amenities like private cloakrooms and separation from the hoi polloi–are the worst acoustically. This often comes as a surprise to people who think there ought to be a correlation between price and sound. ![]() ![]() If one is attending the symphony or opera primarily to hear the music, one is very often best off in the least expensive seats. Get your UnGala tickets: A museum takeover and art party celebrating the Reader's 50ish anniversary Close ![]()
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